One of my favourite parts of developing a new linocut-painting is choosing colours. I have a large box of watercolour pigments. Even the names are beautiful: Venetian Red, Quinacridone Gold, Goethite, Ultramarine Blue…
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Back in 2016, two years into my printmaking journey, I started becoming keenly aware of the technical challenges of this medium. I loved it! But there were so many variables - paper type, ink, printing damp or dry, by hand or with a press… experimenting with everything seemed impossible.
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